Posts Tagged ‘Vidya Balan’
Vidya Balan and Rani Mukherjee in No One Killed Jessica
Till yesterday, she was the queen bee of the Box-Office. A few unfortunate Fridays and she was almost out of the rat race. Not just that, she also got slotted as an ‘exclusive’ YRF heroine. No prizes for guessing that we are referring to the one and original Rani Mukherjee, who now seems all set to be back with a bang.
Even though her last few of releases didn’t quite work at the BO, Rani seems ready for a comeback and has signed up for an important role in UTV Spotboy’s No One Killed Jessica, which also stars Vidya Balan, and is directed by Rajkumar ‘Aamir’ Gupta. The film, which has its music composed by the Amit Trivedi, is expected to go on the floors in February. Talking about the film, Vikas Bahl, Chief Creative Officer, UTV Motion Pictures said, “It’s our pleasure to announce that Rani along with Vidya has also agreed to be a part of a story we really want to tell. When you have actors like Rani and Vidya by your side, the joy of creating characters that can shake the audience and leave an impact for time to come is immense. No One killed Jessica is one of our very cherished projects and it has scaled up to the level it deserved to, thanks to Rani and Vidya becoming a part of it.”
For starters, No One Killed Jessica is a fast paced thriller set in the hub of political power, New Delhi. It is the story of two women and their relentless pursuit of justice that mobilizes an entire nation to prove that in democracy there is no greater power than the power of the people. It’ll definitely be interesting to see Rani and Vidya in the same frame that too in a film dealing with such a serious subject.
AB Corp plans to launch ‘Auro’ merchandise after the release of Paa
After the release of Paa, merchandise connected to the film’s young protagonist Auro played by the Big B, is being planned. For the first time his younger fans will have Big B merchandise including dolls to play with.
The producers, AB Corp Ltd, have planned an ‘Auro’ blitzkrieg to connect the character with children across the world.
While a series of Auro merchandise are planned post the film’s release, on Children’s Day, Mr. Bachchan as Auro will come on television with a very special message for children.
Confirms the director, ”We’re most definitely targeting Paa at children and parents alike. Mr Bachchan’s Auro is a special child suffering from an extremely rare age-hastening disease. Auro could’ve easily become lonely isolated or abandoned. Paa shows how special ‘special’ kids can be. It has a message on parenting rather than any disease. When your child is born with a special impairment, you need to make him feel special, not unwanted or isolated.”
In what could be the first campaign-oriented big-budget Bachchan starrer, Paa promises to bring into focus the parent-child relationship in a series of television campaigns.
There are now plans to do special shows of Paa to collect funds for the Progeria Research Foundation. Says Balki, ”We really had no concrete plans to tie up with the Progeria Foundation. Though our protagonist suffers from the disease, the film is not about Progeria. It’s about how special children can fill your life with special brightness. Not for a minute does my protagonist’s special condition qualify his relationship with his parents. That’s why we avoided pitching Paa as a Progeria project. However, we’d be more than happy if our film proves helpful to children who suffer from the rarest-of-rare diseases.”
A special show in aid of the Progeria Research Foundation is now being planned. Says Balki, ”We’re still to work out details since we hadn’t really planned any Progeria events Paa. We’re definitely holding a charity screening of which the proceeds will be given to the Progeria foundation in the US.
Movie Review – ISHQIYA – Naseeruddin Shah, Arshad Warsi, Vidya Balan
Get ready for tangy, pungent, sizzling and spicy stuff. Be forewarned, ISHQIYA isn’t the fluffy, candyfloss, saccharine sweet story of lovers breaking into songs in mustard fields. In ISHQIYA, you just don’t know what turn the story may take next. Not just the story, even the characters here are so impulsive and unpredictable.
You need to have a strong stomach to absorb ISHQIYA. It’s high on drama, it’s wild, it’s real. But it’s not dark, it’s not sleazy, it’s not crass. Frankly, you don’t expect debutante director Abhishek Chaubey to make a stereotypical fare thanks to the tutelage by his guru Vishal Bhardwaj, who loves to swim against the tide and undertake risks in film after film.
You could call ISHQIYA a distant cousin of OMKARA. Set in Gorakhpur in North India, the film has a rustic feel, depicts characters that may make you uncomfortable and is laced with saucy lingo. Yet, it’s different than OMKARA.
Final word? You can’t help but fall in ishq with ISHQIYA. Tired of sherbat? Try this spicy jaljeera for a change!
Two thieves, Khalujaan [Naseeruddin Shah] and Babban [Arshad Warsi], are on the run from their boss, Mushtaq. They seek refuge at a friend’s house, but instead meet his widow, Krishna [Vidya Balan]. The time spent together draws the duo to her, Khalu with his tinted vision of old-fashioned love and Babban with his lustful eye. But the past catches up with all three!
There’s no denying that the promos had prepared me of the journey ahead, yet it took me a good 15-odd minutes to get into the world of Khalujaan, Babban and Krishna. But once you get sucked into their world, the blurred images start getting clearer and clearer and you become an active participant in their journey.
The first hour passes in a jiffy, but the story actually gets dramatic and volatile in its second hour. It’s at this stage that things start getting more and more unpredictable. The story does a somersault every 10 minutes and by the time it reaches its finale, you’re curious to know how the debutante director would conclude this saga. The end, of course, will have its share of advocates and adversaries, but the fact remains that it’s offbeat.
Abhishek Chaubey is a welcome addition to the ranks of avid storytellers. His choice of the subject and also handling of the material is what makes this film so eminently watchable. Not once do you feel that ISHQIYA has been helmed by a first-timer. Note the change of events in the song ‘Dil To Bachcha Hain Ji’ or the kidnap drama and the heated argument that follows thereafter. Even the passionate lovemaking sequence between Arshad and Vidya has been dexterously canned.
However, Chaubey and his team of writers could’ve kept the writing simplistic towards the finale. It’s complex and also lacks clarity. Yet, all said and done, screenplay writers Vishal Bhardwaj, Sabrina Dhawan and Abhishek Chaubey deserve kudos for coming up with a film that keeps you hooked for most parts.
Vishal Bhardwaj’s musical score has his unmistakable stamp all over. The film is embellished with two lilting gems – ‘Ibne Batuta’ and ‘Dil To Bachcha Hain Ji’ – which are a rage with listeners already and have been juxtaposed beautifully in the plot. Mohana Krishna’s cinematography is first-rate. Dialogues [Vishal Bhardwaj] are acidic and a few lines are indeed startling.
Every actor in ISHQIYA delivers a sparkling performance! Naseeruddin Shah is superb as a romantic. He is matchless in the sequence when he learns the truth about Vidya and Arshad. Arshad packs in a bravura performance yet again. Post MUNNABHAI films, Arshad should be liked in this one the maximum. Vidya continues to surprise. It’s a dynamic performance undoubtedly. PAA and ISHQIYA are two landmarks in her career.
The actors enacting the role of Jijaji, the kidnapped victim and Vidya’s husband are all perfect. The child, who interacts with Arshad, is natural. In fact, every performance in ISHQIYA is worthy of mention.
On the whole, ISHQIYA is definitely worth a watch. The film has a riveting plot, great performances, soulful music, an absorbing story and skilful direction to make the viewer fall in ishq with it. It should appeal to the hardcore masses as also the multiplex junta.